Then came MOVE, with its dreadlocks and militant philosophy the raw meat piled outside the rotten stench the children rummaging for food the incessant tirades and threats over a loudspeaker and the constant tension that something bad was going to happen. The neighbors, a working-class community, held picnics and cookouts and shared their lives they watched one another's children and enjoyed Carrie Fosky's golden fried chicken. "We had a beautiful block," she remembered. Said Renfro: "We still have not been made whole."ĥ0 years on Osage, Earnestine Rice has lived on Osage Avenue the longest, 50 years. Renfro lives four doors down from Rice and serves as president of the Osage-Pine community association, which last month rallied outside Mayor Nutter's office, demanding some type of justice. "Twenty-five years later, we still have not gotten closure," said Gerald Renfro, his face tight with anger. "We didn't ask the city to bomb us out."įor other neighbors, the symbolism of a quarter-century carries added weight. "I would love to see the city open these houses up, do the repairs on them, and either sell them or rent them." "The blight is really what bothers me," Rice said. There have been graduations, vacations, and family reunions. Rice's four children have married and blessed her with 10 grandchildren. "I can come in my house and close my door and do what I want to do." "I ain't going to let it eat me up," she said. She has watched worry rush others to their graves.
Cyprian School, decided long ago - when her blood pressure "shot up" - not to dwell on the ugliness of that day, or the failed redevelopment efforts and legal challenges, or the millions of dollars wasted to rebuild. Since the May 13, 1985, MOVE disaster, the residents here have been victimized over and over again, their homes destroyed, their community devastated, their lives upended.īut Rice, a petite woman with short graying hair who works part-time at St. There are times to celebrate and mourn, and remember. There are moments seared in a life's story - a graduation, a wedding day, the birth of a child.
#Fosky properties windows
Their windows and doors are boarded, some marred by graffiti, with ominous, padlocked bars across the doors.Īt 6221, the former MOVE house, yellowed junk mail lies on the small patio, and insulation flaps in the breeze. Thirty-seven of the 61 homes here, including those on either side of her redbrick rowhouse, sit dark, bought up by the city and left abandoned.
Then, a fiery confrontation between MOVE and Philadelphia police left 11 people dead, and Rice's 6200 block of Osage and neighboring Pine Street in ruins. The chore is a small effort at normalcy, but the horror that happened here 25 years ago remains palpable. Flowers and bushes decorate front patios, and neighbors look out for one another.Įarnestine Rice keeps the place neat by sweeping her sidewalk. Forthcoming remixes and releases for Siesta, Defected and Circus will only confirm that Fosky’s converging influences of art, dancefloor focus, seductive rhythms and eclectic musicality make him a production force to be reckoned with.On Osage Avenue, trees stretch into a green archway. With vocal support from Loco Dice, Damian Lazarus, Marco Carola, Carl Cox, Steve Lawler, and many more, Fosky is poised to claim 2013 as his most significant year yet.
2012 proved a defining year for Fosky as well, with appearances on Guti’s stunning album, Patio de Juegos, further productions for Crosstown Rebels, Steve Lawler's Viva Music, Carl Cox’s Intec, and a rising number of festival and club appearances. At the beginning of 2012 “Shiva” evolved into an EP project, Step, with fellow South American Guti, which marked the start of the label’s most acclaimed year. His own creative outlet led to an initial career as a photographer, but electronic music beckoned and he soon followed, landing in the music hotbed Berlin in 2010.Ī unifying thread of rhythmic complexity and poignant, sweeping melodies mark all Fosky productions, and his divine “Shiva” caught the attention of Damian Lazarus in 2011, leading to its inclusion on the Crosstown Rebels founder’s Get Lost 4 mix. The Argentine DJ and producer is a the product of a creative environment, immersed in culture from a young age, with particular exposure to traditional Argentinean Tango, contemporary visual art and avant-garde theatre.
In just two years, rising talent FOSKY has already been woven deep into the fabric of the house music fraternity, with his essential productions for Crosstown Rebels and Desolat, and memorable debuts at Sonar and Winter Music Conference.